Post by account_disabled on Dec 10, 2023 6:27:49 GMT
The dialogues I am the voice of the characters. They are the acted part of the play. The dialogues must be musical, i.e. natural. The reader, reading them, must not find forced, banalities, but flowing sentences, realistic above all. A writer must not limit himself to writing the dialogue straight away, but he must recite it in his mind or rather out loud. The setting The scenography of a story contributes to the story itself. It is the visualization in words of the world created by the writer. This doesn't mean getting lost in long descriptions, but writing so that the reader can imagine the scenes.
The documentation The old saying “write what you know” still applies. You cannot write a story without being informed about what you are writing. Even if the story is set in our Phone Number Data home, there will always be something to read up on, to avoid writing senseless things or making big mistakes. Post scriptum: music and cinema I want to add two examples in fields not really relevant to narrative: the songs we listen to and the films we see. I don't like Italian music, I find it depressing. Listening to Italian songs makes me sad. Many repeat the same concept to me, which is illogical to me: listen to the words, they are beautiful. No, in a song there are not only words, but also music, which is the first element I perceive.
And there's the rhythm of that music. Then come the words. I don't like Italian films, except the old masterpieces with Totò, De Filippo, Sordi, Tognazzi, etc. Today's ones depress me, they bore me. Many repeat the same concept to me, which is illogical to me: the plot of the film is beautiful, it talks about current events, etc. No, it's a discussion that doesn't stand up to me. Before the plot I see the scenography, I hear the actors acting with my feet, the audio is terrible, the soundtrack is sad. Did you understand the concept of my postscript? What do you suggest for a story? What other elements are useful to you so that a story is complete and manages to totally involve the reader? Or do you think only the plot is important.
The documentation The old saying “write what you know” still applies. You cannot write a story without being informed about what you are writing. Even if the story is set in our Phone Number Data home, there will always be something to read up on, to avoid writing senseless things or making big mistakes. Post scriptum: music and cinema I want to add two examples in fields not really relevant to narrative: the songs we listen to and the films we see. I don't like Italian music, I find it depressing. Listening to Italian songs makes me sad. Many repeat the same concept to me, which is illogical to me: listen to the words, they are beautiful. No, in a song there are not only words, but also music, which is the first element I perceive.
And there's the rhythm of that music. Then come the words. I don't like Italian films, except the old masterpieces with Totò, De Filippo, Sordi, Tognazzi, etc. Today's ones depress me, they bore me. Many repeat the same concept to me, which is illogical to me: the plot of the film is beautiful, it talks about current events, etc. No, it's a discussion that doesn't stand up to me. Before the plot I see the scenography, I hear the actors acting with my feet, the audio is terrible, the soundtrack is sad. Did you understand the concept of my postscript? What do you suggest for a story? What other elements are useful to you so that a story is complete and manages to totally involve the reader? Or do you think only the plot is important.